Statement
Looks that become works
I conceive art as a possibility to connect sensitive worlds and return to us an always new reflection, questioning us.
I approach the concept of the moment through the emotional expressions of the characters that appear in my productions. There is an intentionality in the elaboration of his views, quasi-dramatic and theatrical.
The representation of the couple in everyday life or of characters who are usually in company are recurring themes in my works, which connect transversally with my profession as a couples psychotherapist. Working in contact with other people's feelings makes my paintings obtain part of that narrative.
I am interested in challenging the viewer by generating a story with an open plot, in which the characters interact with each other in multiple circumstances, transgressing the limit of the work by seeking the complicity of the audience.
Strict in composition, I give myself expressive freedom in the use of color. I use a wide range of non-naturalistic colors. Far from looking for subtleties or appealing to transparencies, I work with the impact of flat and contrasting colors. The emotional nature of the scene is translated into the chromatic choice, suggesting climates, states, ways of bonding.
I like to individualize the figures in the background, cutting them out using defined lines that break down the image as if it were a stained glass window, reinforcing intensities, lights and shadows. The figure and the background as a constitutive dialectic of an individuation. The arbitrary nature of the line, as a volitional imprint that reveals parts of who I am.
